The Aesthetics of Cinema and Contemporaneity of History (World War II Representation in the Soviet Cinema)
Article
Keywords:
aesthetics, cinema, representation, history, modernity
Abstract
[In Russian]
The article is dedicated to the analysis of an aesthetic system of
differences between the representation of World War II in the Soviet cinema of Stalin’s time and the «Thaw» period. In the course
of the analysis it is revealed how cinema re-constructs the history
and simultaneously constructs the present.
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Published
2019-12-22
How to Cite
Горных, А. (2019). The Aesthetics of Cinema and Contemporaneity of History (World War II Representation in the Soviet Cinema). Topos, (2 (16), 92-105. Retrieved from http://journals.ehu.lt/index.php/topos/article/view/420
Section
Visual Studies
This journal allows the author(s) to hold the copyright without restrictions. Topos Journal uses CC BY-NC-ND 4.0 license (license URL: http://creativecommons.org/licenses/by-nc-nd/4.0).
