The Phenomena of Sacrifice and Femininity: Tarkovsky’s Symptom in Contemporary Russian Cinema

Article

  • Лидия Михеева European Humanities University
Keywords: sacrifice, femininity, Tarkovsky, Zvyagintsev, contemporary Russian cinema

Abstract

[In Russian]

The article addresses the representation of sacrifice and
femininity in the films by A. Tarkovsky and such contemporary
Russian directors as A. Zvyagintsev, K. Serebrennikov, and A.
Mizgirev. The author develops the topic of sacrifice as the pivotal
theme of Tarkovsky’s works and then reveals its influence
on contemporary Russian filmmaking. This trend is qualified by
the author as a social symptom which is finally analyzed from the
perspective of J. Lacan’s structural psychoanalysis.

Downloads

Download data is not yet available.
Published
2020-01-16
How to Cite
Михеева, Л. (2020). The Phenomena of Sacrifice and Femininity: Tarkovsky’s Symptom in Contemporary Russian Cinema. Topos, (3), 228-262. Retrieved from https://journals.ehu.lt/index.php/topos/article/view/595
Issue
No 3 (2010): Feminism and Philosophy: rethinking the heritage of Simone de Beauvoir
Section
«The Gender Unconscious» of Contemporary Cinema

This journal allows the author(s) to hold the copyright without restrictions. Topos Journal uses CC BY-NC-ND 4.0 license (license URL: http://creativecommons.org/licenses/by-nc-nd/4.0).