The Instance of the Letter in the Psychobiography of A. Tarkovsky

Article

  • Андрей Горных
  • Лидия Михеева
Keywords: Tarkovsky, Lacan, biography, social history, chains of signi¦ers, chains of signifiers, representations, repression, cinema of the Thaw, Soviet modernity, community, money

Abstract

[In Russian]

There are few central themes in Tarkovsky’s cinema and
life (as it’s described in his diary), in particularly, those of grass
(trava), expense (trata), and hunting, persecution (travlja).
«Trava-trata-travlja» makes up a signifying complex that defines
the essential Tarkovsky’s imagery, circling around the fantasy of
House. Lacan’s model of chains of significers that establish sym-
bolic trajectories of representations thus maintaining their dis-
tance from the Real (das Ding) and presetting their modes of as-
sociations and displacements of aects, allows us to grasp the
symbolic mechanisms underlying Tarkovsky’s artistic imaginary.
The next move of analysis historicises Lacanian thought pro-
viding an opportunity to go beyond the formal order of signi-
ficers and revealing the historical peculiarity of the Soviet aw
modernity (urban communities of intelligentsia, creative labour,
restructuring of power, ambiguity of money) as a symbolic force
structuring both artistic and biographical imaginary.

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Published
2020-01-19
How to Cite
Горных, А., & Михеева, Л. (2020). The Instance of the Letter in the Psychobiography of A. Tarkovsky. Topos, (3), 74-91. Retrieved from http://journals.ehu.lt/index.php/topos/article/view/645
Section
CLINICAL CASES AND PSYCHOBIOGRAPHY IN HISTORICAL CONTEXT