• Contents

  3-6

Preface/Introduction

• The Time of/for Roland Barthes Editorial Preface

  Almira Ousmanova, Veranika Furs

  7-21

THE AFFECT(S) OF THE VISUAL

• Roland Barthes and Photography, or the Revelation of the Images Transl. by V. Furs

  Alain Fleischer

  22-35
• Picturing the Unimaginable. Trauma, Distance, Affect: Reception of Roland Barthes’ Сamera lucida and Contemporary Russian Photography Article

  Victoria Musvik

  36-66
• Photographic Time and Affect in Film: Project of Roland Barthes’s Film Theory Article

  Olga Davydova

  67-80

TEXT, SUBJECT, DESIRE

• Reading What Does Not Cease to Not Writing. A Lover’s Writing (by R. Barthes) Article

  Galina Rusetskaya

  81-93
• Roland Barthes: Text and Life Transl. by V. Furs

  Marie Gil

  94-116
• Photography as a Medium: Proust’s Punctum in the Lacan’s Mirror Article

  Andrei Gornykh

  117-134
• The Letter of Pleasure and Jouissance: Between Barthes and Lacan Article

  Viktoriya Kanstantsiuk

  135-144

THE IDEAL SPECTATOR

• The Resistance to Cinema Transl. by V. Furs

  Dominique Païni

  145-149
• The Poetics of the Unspeakable and «Le Filmique» in the Works of Roland Barthes Article

  Almira Ousmanova

  150-176

RESISTING THE PARADIGM

• To Seminar, or Not to Seminar, That Is the Question Transl. by D. Petrina

  Marquard Smith

  177-185
• Roland Barthes: The Paradigm, the Neutral, Tao Article

  Veranika Furs

  186-204

SEMIOTICS AND POLITICS

• Roland Barthes as a Political Thinker Article

  Uladzislaŭ Ivanoŭ

  205-214
• At the Intersection of Semiology and Ideology: Mythologies of National Images in the Design of French Coins and Paper Money Article

  Kseniya Shtalenkova

  215-234

THE PLEASURE OF/ IN THE TEXT

• Barthes. Sade. Rococo Article

  Alena Toustsik

  235-250
• Nara(c)tivity and Dynamic Form: Perspectives for the Production of Text in the Digital Age Article

  Aliaksandr Palubinski

  251-259

Reviews

• Du côté de chez Barthes (Barthes’s Way) The Review of the Book “Chto nam dyelat’ s Rolanom Bartom”

  Denis Akhapkin

  260-263