• Contents

  1 - 6

PREFACE

• PLAYING AGAINST PLAYERS: DANGEROUS BOUNDARIES OF THE “MAGIC CIRCLE”

  Alesha Serada

  7 - 26

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CONTROL AND EXPLOITATION

• THE VIOLENT BECOMING: THE COMPLICATIONS OF VIDEO GAMES IN THE ORDER OF CAPITAL

  Dzmitry Boichanka

  27 - 45

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• A NON-CRIMINAL PIRATE IN ARCHEAGE: CREATING AMBIVALENCE IN THE TRIBE BY PLAYING OUTSIDE OF THE DETERMINED SOCIAL PRACTICES

  Viktoryia Vasileuskaya

  46 - 55

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• INVISIBLE VIOLENCE: TYRANNY OF INFINITY AND ENJOYMENT IN INCREMENTAL GAMES (ON THE EXAMPLE OF THE ONLINE GAME “CHRISTMAS TREE”, STARK GAME)

  Viktoriya Kanstantsiuk

  56 - 70

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• APPLICATION OF KANT’S TRANSCENDENTAL DOCTRINE TO A USER MANUAL FOR DEVELOPERS OF COMPUTER SIMULATIONS OF SCIENCE EXPERIMENTS

  Timur Khamdamov

  71 - 99

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IDENTITY AND EXCLUSION

• WHO IS POSSIBLE ONLINE? TECHNOLOGICAL AFFORDANCES AND SOCIAL NORMS SHAPING VISUAL AGENCY AND IN-GAME IDENTITIES

  Matilda Ståhl

  100 - 109

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• I WASN´T LOOKING AT HIS NICE ASS: HOW TO PLAY THE “FEMALE WAY”

  Tereza Krobová

  110 - 124

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• THE PROBLEM OF THE UPRISING OF THE BLIND IN THE GAME INDUSTRY

  Eugene Balinski

  125 - 133

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(NON-) VISUAL VIOLENCE

• IN-GAME PHOTOGRAPHY AS A NEW FORM OF ART

  Lizaveta Kahalionak

  134 - 147

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• WHEN REPRESENTATIONS BECOME ACTS: GAMEPAD VIBRATION AS PHYSICAL VIOLENCE IN DEUS EX: MANKIND DIVIDED

  Damian Stewart

  148 - 162

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• CRUDELY, A MACHINE. THE DREAM MACHINE THROUGH THE LENS OF RUSSIAN FORMALISM

  Alesha Serada

  163 - 176

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Translations

• THE CONTRIBUTION OF STELLAR ICONOGRAPHY TO THE SPATIAL PROBLEMS OF COMPUTER GAMES: THE CASE OF HORROR GAMES Translation by Anton Borovikov

  Guillaume Baychelier

  177 - 212

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• TORTURE, PLAY AND BLACK EXPERIENCE Translation by Alena Voronko

  Aaron Trammell

  213 - 235

  • PDF (Русский)

• Author Guidelines

  236 - 240

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